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March 29th, 2008
Today is a very strange day.
My good friend, Nickie, has left for
England. She has been the Thursday night waitress at Whelan’s gate
since I started playing there two years ago…. Or was it three? That’s
what’s making this day so strange.
Last night was our last night to
work together. I feel like we’ve been a team for these two or three
years. I’m so happy to see her moving on and taking on her new career.
She’s worked hard to get her Master’s Degree and she’s about to get a
new job because of it.
I’m strangely shaken about my own
career and the path I am embarking on these days. It’s become really
easy to get gigs and play cover songs to drunken people all night. I’ve
enjoyed myself and have felt comfortable doing this for a very long
time. I love to make people happy and I love to entertain. … But I’m
getting tired, and for a long time I’ve been saying that the
entertainment career is not the path I want to follow forever. I guess,
by Nickie’s example and ending, I’m feeling like it’s almost that time
for me to have an ending as well.
The tour out west with Ben was eye
opening. Ben’s been at this for 20 years now and he has no humour for
entertainment shows. (When I say entertainment shows, I mean the ones
where the bar pays you to keep the crowd drinking and having a good
time.) Ben is one of the best entertainer’s I’ve known personally…and
one of the best songwriters. We had a series of shows booked around
Alberta and B.C. and I noticed that when Ben was in a situation where
music lovers sat quietly and listened to him, he shone brighter than
I’ve ever seen before. He’s mastered the comfort of performing in front
of a listening audience. I have not mastered this at all. In fact, I’m
completely self conscious and nervous in these types of venues (the
ones I’m supposedly trying to bring myself to perform in). In noticing
this difference, I began to learn from Ben. Just by watching him I
learned a lot, but he also has a habit of offering advice when you
don’t want to hear it. But this time, I really heard it. He told me
that I always hurry through my stories as though I’m worried that
people don’t have enough patience for them. I realized this is a true
habit bred out of performing for mixed audiences of people who want to
listen, but also of people who don’t have patience to hear me and just
want to be entertained. With a little practice and some serious
meditating before shows, I feel that I was able to find that
comfortable place in front of a listening audience and once I found it
(in our last two shows) it is really hard not to want more of it. I had
three “bar” gigs this week and despite having good friends around and
reconnecting, I haven’t enjoyed them as much as I enjoyed performing
while I was on tour.
Prior to starting my show last
night, I was trying to set up the speakers and sound system while
moving around the crowded people. One man was demanding that I mount
the speaker as high as it would go (preferably from the ceiling). I
started to politely explain that the room does not sound good with the
speakers that high. He started to argue about it and I couldn’t contain
my frustrations. I told him I would do what I want and that he knew
absolutely nothing about sound!! Grrrr. He then told me I should start
the show by playing guitar instead of keyboard. He was wearing a blue
tooth while on a date (that pretty much says everything it needs to
say). I felt like offering to shove my guitar up his ass. I noticed
that his date left halfway through the night and he went looking for
her, but I think she left the bar. He paid the tab and left alone.
There was also a woman sitting at the front who frighteningly and
degradingly asked me if I was going to play loudly and if she would be
able to talk to her friend over the music. I felt like screaming: they
actually pay me to perform here lady! Perhaps you should consider
moving to the back of the room!! Grrrr. Why is it that the venue you
perform in directly distinguishes how good of an artist are and why is
that so few people can realize this? I’d love to perform at Whelan’s
for the rest of my life! I love that room! But I can’t be treated this
way. My music can’t be disrespected in this way. It hurts too much.
As a special request, Nickie asked
me to perform only my songs on her last night working at Whelan’s. For
her sake, I did it…and I know many of my friends where proud of me for
it, but the truth is, I didn’t want to play all my own songs last
night. The bar was absolutely packed with amazing and happy people, but
it was also so very loud. I put my earplug in to try to connect myself
with the words, but it was almost too loud for that too. In situations
like this, I’ve always preferred to play cover songs because it hurts
to play my own songs to people who aren’t paying attention to them.
These are truths I’ve denied to myself for a long time.
The night ended early (thanks to the
water being shut off for repairs). Q and I and his hockey team went out
for a beer after the show. Brendan (my painful ex) was in the bar we
went to. He didn’t see us and I did not say hello. I wondered what kind
of additional thoughts about my past Fod was trying to bring to light.
Today, this unbelievably strange
day, I am connecting my past and realizing how intertwined my thought
patterns have been in all aspects of my life. I’m realizing that you
always get what you think you deserve. Q has made me realize how much I
deserve to be loved and treated with respect and that I don’t have to
feel bad about receiving such goodness. I don’t have to feel like bad
things will happen to me as a repayment for all the good things that
happen to me. With music and songwriting, I have not matured as quickly
into that headspace. I have not felt worthy and deserving of respect
for what I do. And so I have settled and been grateful for any venue
that would have me. But I don’t want to do that anymore. I want to aim
my boat towards situations that are more nurturing. There is no better
time to make changes than right now. I’m terrified and excited. Where
do I start?
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